Time for a sneaky early watch of something really rather exciting. I did the maths and it turns out that I've been listening to Irwin Sparkes' music, in its various guises, for over half of my life. Big commitment. So it's pretty wild to be asked to premiere the brand new music video for his track Disintegrate, released as part of his White Tail Falls project. The track is taken from the upcoming debut album Age Of Entitlement, due for release via Physical Education Records on 29th May - but first, the Fake News EP due next Friday!
Following in the footsteps of the Give It Up, Son, the new video is once again directed by Craig Young - the videos come together to form part of a short-film. Most exciting fact of all - it was entirely shot on an iPhone. Let that sink in. The new video was partly shot in Barcelona last year, and the footage recently added to with a chilly shoot in Berlin. As Irwin commented online "making these videos has been a sheer labour of love. Craig and Nēna have laboured and I've loved watching them. So proud of what we've (mainly "they've") done to make these #shotoniphone videos look a million rupees." I couldn't do the video justice by trying to explain - it's best if you just feast your eyes and ears, pronto. It's a gorgeous track.
A little more on the video from Irwin... "I learned a lot of things making this film: I have a low tolerance for being cold, pigeon faeces and working for free. The talented Mr Craig Young, who wrote, directed and shot it [...] pulled in a lot of favours to make this happen. This video is a testament to what you can accomplish with no budget, a little chutzpah, a lot of love and an iPhone. And a drone."
I for one absolutely can not wait for the record - every press quote I see and every tweet that Irwin shares about the record or the process of making it just adds to the intrigue. He describes that "making this album has changed my life. It's forced me to confront what I'm made of. I still don't know how I feel about that." Elsewhere, he shared that "making music is a joy. Releasing it is another kettle of worms altogether. This record makes me feel vulnerable and even admitting that on social media is probably not advisable. I wish I could be so nonchalant as to say I don't care if you like it... but I hope it finds a home in your ears, and so do I. It's the closest I've come to documenting having come apart at the seams & being stitched back together. Some of you will know what that means. Some of you will find out." It feels such an honour to be allowed in for a listen to a record which is so clearly a deeply personal response to a difficult time. I'll treasure the record accordingly, I'm sure.
Following in the footsteps of the Give It Up, Son, the new video is once again directed by Craig Young - the videos come together to form part of a short-film. Most exciting fact of all - it was entirely shot on an iPhone. Let that sink in. The new video was partly shot in Barcelona last year, and the footage recently added to with a chilly shoot in Berlin. As Irwin commented online "making these videos has been a sheer labour of love. Craig and Nēna have laboured and I've loved watching them. So proud of what we've (mainly "they've") done to make these #shotoniphone videos look a million rupees." I couldn't do the video justice by trying to explain - it's best if you just feast your eyes and ears, pronto. It's a gorgeous track.
A little more on the video from Irwin... "I learned a lot of things making this film: I have a low tolerance for being cold, pigeon faeces and working for free. The talented Mr Craig Young, who wrote, directed and shot it [...] pulled in a lot of favours to make this happen. This video is a testament to what you can accomplish with no budget, a little chutzpah, a lot of love and an iPhone. And a drone."
I for one absolutely can not wait for the record - every press quote I see and every tweet that Irwin shares about the record or the process of making it just adds to the intrigue. He describes that "making this album has changed my life. It's forced me to confront what I'm made of. I still don't know how I feel about that." Elsewhere, he shared that "making music is a joy. Releasing it is another kettle of worms altogether. This record makes me feel vulnerable and even admitting that on social media is probably not advisable. I wish I could be so nonchalant as to say I don't care if you like it... but I hope it finds a home in your ears, and so do I. It's the closest I've come to documenting having come apart at the seams & being stitched back together. Some of you will know what that means. Some of you will find out." It feels such an honour to be allowed in for a listen to a record which is so clearly a deeply personal response to a difficult time. I'll treasure the record accordingly, I'm sure.
White Tail Falls head out on a UK headline tour through March and April, dates below & tickets here.
20th March: The Poetry Club, Glasgow
21st: Royal Park Cellars, Leeds
26th: St Pancras Old Church, London
27th: The Hope & Ruin, Brighton
2nd: Night People, Manchester
20th March: The Poetry Club, Glasgow
21st: Royal Park Cellars, Leeds
26th: St Pancras Old Church, London
27th: The Hope & Ruin, Brighton
2nd: Night People, Manchester
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