Tuesday, 1 December 2020

WATCH: Low Island - 'In Your Arms'

My superbly talented pals Low Island have done it again. In glorious style. New tune In Your Arms sees their trademark synth and guitar sounds wrap around Carlos' nostalgic and emotive vocals. The animated video from Bristol-based animator Patrick Atkins brings everything together - as always for the band, the track doesn't begin and end with the music itself, they're always in touch with the visual side, whether it be the artwork, video or at the live show, and it's particularly stunning here. The track was created in rural France (produced by the band themselves and mixed by Matt Wiggins (Porridge Radio, Glass Animals)) where the band rented a barn and spent time this year writing, recording, filming new content and learning everything they could about the industry they're in. They even set up their own label. Their press call them a 'DIY machine' and I can't help but agree. 

On the new track, Carlos comments "In Your Arms is a love letter to my childhood bedroom. It's about how objects or spaces that are important to us can get tangled up in our past and present, and how the memories and emotions they evoke can both comfort us and weigh us down. I find this to be particularly true of spaces we associate with childhood - they are heavy, often with so many contradictory feelings which complicates our relationship with them. This combination of comfort and oppression through nostalgia was at the heart of the conversations we had with Patrick about the video. We talked about artists like Rachel Whiteread and Robert Kipniss, playing with everyday objects and abstracting them to take on new meanings." 

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Monday, 30 November 2020

LISTEN: bb sway - 'habits'

I first heard bb sway back in September with her single I Found Out When the Day Had Come (and the particularly joyous music video that came with it, dancing with cows included) but never got round to sharing it here. Attempting to rectify that with her new single habits, which I'm channelling towards your speakers & hearts now... in her trademark style, using bedroom pop to deliver relatable and heartfelt tunes, it's catchy but meaningful. Love this! 

On the track, she shares "I wrote habits to help me with my mental health. When depression hits (at the time, it was SAD in particular), I think it's important to stay active, and be proactive in doing things that keep the mind and body stimulated. Writing 'habits' (and listening to it) helped me stay positive and remember that sad periods don't last forever, and there are things I can do to help myself!" 


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Friday, 27 November 2020

WATCH: MarthaGunn - 'Nowhere To Run'

It's no secret that I'm a big MarthaGunn fan and I'm loving their new track & video! From their debut single Heaven (which was recently re-released), early shows at Bushstock and Notting Hill Arts Club and even booking them to play a showcase at WOMAD Festival a couple of years back (madness!) I've loved watching them grow and discover their groove. The five-piece's friendship screams through the music, they're a really special group. Nowhere To Run is the follow-up to their recent EP Caught Up & Confused. 

Talking about the track, Abi shares "I am absolutely obsessed with all things love, it's just all I write about [...] it's beautiful and heartbreaking how lives can intertwine and fall apart. I think about lives as lines being drawn - sometimes you are parallel, and then you divert, maybe you crossover again, maybe you don't." 

"'I push you away then I get sad when you don't stay' - this lyric sums it up. Living far away from someone you love is not easy. I thought for a long time that it would be easier to ignore my feelings and hope that one day our paths would cross again. We live different lives, and I never wanted to get in the way of each other's dreams. But now I've realised, the only time we have is now, so if you love someone, just go and fucking tell them before you lose them forever."

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Thursday, 26 November 2020

LISTEN: Clara Mann - 'I Didn't Know You Were Leaving Today'

I've been utilising a week away from work on furlough, stuck at home, trying to be productive here... you might have noticed. Three two-post days in a row is probably a new record! I'm loving sharing so many new artists in particular - it's exciting to think this might be the first place that somebody hears an artist who goes on to become a favourite. Here's hoping! Another debut single for you today, this time from Bristolian singer-songwriter Clara Mann via Sad Club Records

Now, go with me here - listening to this track transported me to the feeling of a Sofar Sounds show. Not knowing much about the artist you're about to hear, but being confident that they're probably going to be superb. The intimacy and delicacy of the performance and the ensuing shock that something could truly be that beautiful. 

The track was produced by Benjamin Spike-Saunders and mastered by Alice Western. On the track, Clara plays piano, guitar and vocals, with additional instrumentation from Marika-Tyler Clark (fiddle) and Felix M-B (harmonium, guitar). Recorded and mixed remotely due to the virus, the home-grown sense seeps through the track, which came to life between Clara and Ben's respective bedrooms. On recording it, Clara comments "it was mostly just me and my mic at my desk, willing the neighbours to keep quiet through the takes. It was okay - just a bit lonely at times!" 

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Wednesday, 25 November 2020

EP NEWS: Bear's Den - 'Christmas, Hopefully'

To be brutally honest... any Christmas music arriving in my inbox at the moment is, on the whole, going in the trash. (Sorry!) Except this. Favouritism is definitely at play here and I have absolutely no shame about it. My lovely faves Bear's Den have just shared new track Christmas, Hopefully - the title track of their upcoming EP, due on 1st December via Communion Records. They're no strangers to a festive release, 2016 single Berlin is one of their most streamed songs on Spotify (and the first live performance is my most viewed Youtube video... an equally exciting accolade for them). Last year they shared the Only Son of the Falling Snow EP and played a stunning charity gig in a church to celebrate the release. 

Alongside the beautiful title track, the new EP features Favourite Patient, a track written about Davie's fiancĂ©, a doctor who has, unsurprisingly, been affected dramatically by the events of the year (this also happens to be the first BD track that Davie has played piano on!) The final track is Berlin Pt II, a sequel to the original. Yesssss! More song sequels please!

On the release, Davie writes - "it's been an incredibly strange and difficult year for all of us. What Christmas stands for couldn't be more at odds with the idea of lockdown or a tier system and the idea of potentially not being able to share that time with friends and family. Christmas can also be quite a challenging and difficult time of year for a lot of people even when there isn't a pandemic going on. I wanted to talk about my thought processes and feelings around this time of year and some of the difficulties and anxieties that I have experienced in the past and this year. The central lyric is 'I hope you find some peace of mind, this Christmas, hopefully' - I think that line pretty much sums the song up. Hopefully we can all be together this Christmas but if not hopefully we can find some happiness and hope in spite of all the shitty challenges this year continues to present." 

As a last note - I loved Davie's interview for GIGWISE which went live yesterday here - read it!

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WATCH: Arlo Parks - 'Caroline'

If you're not on the Arlo Parks train yet, don't worry - there's still time. You've got a couple of months to catch up before her debut record Collapsed In Sunbeams releases on Transgressive Records on 29th January. She's been one of my favourite discoveries of the year and if I had a "ones to watch" list for next year, she'd top it. I am so so excited for the record and wishing away the days until it arrives. 

Premiering on Monday night as Annie Mac's Hottest Record on BBC Radio 1, new track Caroline gives another delectable taste of the record. On the track, Arlo comments "Caroline is an exercise in people watching and seeing situations unfold without context. It's an exploration of how something once full of healthy passion can dissolve in an instant." 

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Tuesday, 24 November 2020

LISTEN: Melin Melyn - 'Rebecca'

I've been anxious to share this one for a couple of weeks - Welsh four-piece Melin Melyn have just launched themselves, slightly raucously, with new single Rebecca. The energy that often only a live performance can deliver is in every second of this track, from the truly dance-able guitars and punchy keys to the rowdy vocals and even a saxophone! It'll leave you feeling invigorated. If you like this one - their debut single sees them singing in Welsh, check out Mwydrn here

Over to the band for an incredible story from history to explain the lyrical meaning, here's frontman Gruff - "I've always been fascinated by the tales of the Rebecca Riots. It was when local Welsh farmers in the 1800s took to smashing up the toll gates put up by rich landowners, whilst being dressed in women's clothes screaming the name Rebecca. That incredulity and rage still exists today, rising day by day due to the rich feeding off the poor... perhaps I should get my skirt..."

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LISTEN: Smoothboi Ezra - 'My Own Person'

"I wanna blend into the background, I wanna be nobody and never make a sound..." 

Painfully relatable song incoming from Smoothboi Ezra... the latest offering from the 18-year-old songwriter, multi-instrumentalist and producer from Greystones in Ireland is a perfectly contemporary look at struggling with your identity. Of their songwriting process, Ezra shares that "I don't know what a song means when I'm writing it. I don't make a plan. I find myself basically doing a brain dump [...] when I finish a song I let go of it, it's not mine anymore and I forget it. A lot of the time I'll have to teach myself the song again before a live show." With over two hundred thousand monthly listeners on Spotify off the back of completely independent releases, I'd say things are going pretty well...

On the new track, they explain that "I wrote this song when I was 16. I had one or two outfits I would interchange and I wore the same grubby pair of shoes every day. They were replicas of a previous grubby pair I wore when I was 14 and 15. The song is about not being happy but not being able to do anything about it."

 


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Monday, 23 November 2020

LISTEN: Marie Bashiru - 'Joyride'

Time for a debut track, and a really lovely one at that. Marie Bashiru shared Joyride a couple of weeks back and it's been circling round my head a lot since. Released via Common Language, a new label established by songwriter/producer Steph Marziano, this is a truly impressive and stand-out debut. It's soulful, you can't help but feel warmed up inside on listening. I've got it on repeat currently, with that recurring "we'll be alright" injecting a little bit of hope. 

Marie explains "Joyride is a song written in the spirit and in homage to my West African background. It takes you on a journey of adventure, colour and new beginnings in the midst of challenge and uncertainty. Imagined with a backdrop of earthen and off-the-beaten paths, dry heat and low wide expansive skies, it challenges you to enjoy the ride and not forget the journey to the destination."

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LISTEN: HANYA - 'Monochrome'

As I sit down to type this, I'm trying to hear over the sound of pieces of our kitchen ceiling falling to the ground.... intentionally, that is, thanks to some noisy workmen. The chaos has pointed me towards dreamy soundscapes for a bit of peace, and this new HANYA track Monochrome is doing the trick. They're a shoegaze-y quartet from Brighton with a couple of EPs under their belts which I'm just having a deep dive into and digging. Frontwoman Heather Sheret's vocals are dreamy on this new tune, I feel somewhat transported by it...

Talking on the track, the band share that "with a break from live shows, each of us had a chance to reinvigorate our songwriting. It's difficult when you're always rehearsing for the next show to really mess around and make music with no real direction. 'Monochrome' started off this way, a hazy-pop ballad written on a midi-keyboard. Now we're all back together, we fleshed out the chaos together and developed the track's full dream-pop potential. It's a song about re-connection with what makes you happy, taking pleasure from the little things." 


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