Showing posts with label Matthew & The Atlas. Show all posts
Showing posts with label Matthew & The Atlas. Show all posts

Saturday, 28 December 2019

My albums of the year (2019)

Frankly, 2020 can't come quickly enough - partly as it is bringing us a new Bombay Bicycle Club album and I am counting down each second until that is in my life. Beyond that, there are debuts from Seramic, Rhys Lewis and White Tail Falls to expect as well as new records from the likes of The Staves, Lucy Leave and The Big Moon - there's a lot to be excited about! Before all of that, however, it's time to look back on the music that I've been listening to this year with a round-up of my favourite albums of the year. I loved doing a post like this last year - when Novo Amor narrowly missed out on the top spot to the incredible Someone Out There from Rae Morris (you can catch up on last year's post here.)

As this blog is solely contributed to by me (hi!) the list is a bit of a self-indulgent reflection of the music that I've been loving this year. It's been a bit of a rollercoaster of a year, which kicked off with me being made redundant from my job at HMV back in February. I've traded music and films for a job as a bookseller now and I'm loving it, but I still miss being surrounded by music lovers every day. It has become even more important to me to have the blog to use as an outlet to ramble about the music that I love, and what follows below is five of the records that I've fallen in love with this year, with a further list of several more brilliant albums that I wanted to shout about.


1. Maggie Rogers - Heard It In A Past Life

Could there really be anybody else but Maggie Rogers in the top spot this year? Her incredible record has come to occupy a really special place in my heart. I first started listening to Maggie towards the end of 2018 when she was announced as tour support for Mumford & Sons. From then, my love for her grew with each new track that was released, and my anticipation for the record grew. The album itself arrived in January, while HMV was in administration and in the midst of a really confusing and stressful time for me. It is no exaggeration to say that it helped to ground me and bring me much needed joy through the experience of redundancy. I spent several weeks listening to the album at least once daily, finding new aspects of it to love with each listen.

I feel that it's worth noting that Heard It In A Past Life is Maggie's debut album, and as such it is even more impressive. She has recently been nominated for the Best New Artist Grammy award, the pinnacle of a whirlwind year of touring, huge TV appearances and a whole lot of dancing like nobody (or indeed, everybody) is watching. Given that I adore the album in its entirety, I struggle to pick a favourite track from it, but a stand-out track for me from the first few listens was Burning, so why not start there and then go on to check out the entire album. You can thank me later!


2. Friendly Fires Inflorescent

Next up an in a really close second is an album that I spent a long time waiting for, worrying that it might never exist. I think even the band themselves couldn't be sure that they would make this record, but I am so incredibly glad that they did. Friendly Fires were one of my favourite bands of the early 2010s and I worried that I'd never get to see them play live when they took an extended hiatus several years ago. To my delight they returned in late 2017 and I was lucky to see their triumphant London return last April. Fast forward a year or so and the moment that I'd been waiting for... an album announcement. The wait was finally over in August, and it was more than worth it. I think that I probably annoyed some people with how much I couldn't stop talking about the album when it was released.

The record is an injection of pure joy in what is very often a pretty miserable world. Friendly Fires are back with their infectious energy, catchy hooks, incredible live shows and an album to fix all of our problems. Or possibly just to get us dancing - but that's a start. Again, I really adore the full record but my favourite track would probably have to be Silhouettes. A certified bop.


3. Bear's Den So that you might hear me

Having been a big fan of Bear's Den for a few years, one of the coolest perks of running this little blog came earlier this year when I received a link to listen to their album and review it six weeks ahead of release. It arrived in my inbox while I was searching for a new job and feeling a little lost, and the album felt like something that I could keep to myself before it was released out into the world - it really came to mean a lot. I recall describing my review at the time as being like a love letter to the band. It sounds a little cliché to say that an album tangible helped you through a situation but it really did. I've been lucky to see the band live a few times this year in various settings (headlining a stage at Citadel Festival and the O2 Shepherds Bush Empire to name a couple) - it's been a Bear's Den kind of year and I'm very happy about that.

In their third studio album, we find the band enjoying the confidence that the success of previous records Islands and Red Earth & Pouring Rain brought, combining the acoustic and electric elements of both to explore new ground sonically. The record explores themes of intimacy and connection. with the band describing it as being about "trying to communicate with someone honestly [...] an attempt to reveal the honest and difficult challenge of communicating with anyone that you really care about." It is a gorgeous example of Davie's skills as a songwriter, bringing to life his story and those of others. A favourite track of mine is the opener Hiding Bottles, written about his relationship with a close family member with an alcohol addiction. From my first listen, the lyric "well I'm keeping it together but you don't know the half of it. It's starting to show, no I'm not on top of this" has really resonated with me.


4. Christof van der Ven You Were The Place

In a way, Christof manages to make his way onto this list twice - he's a touring member of Bear's Den, creating some gorgeous solo music in the spare time that allows him. Having released his gorgeous debut album at the start of last year, he's the only artist to have been on both the 2018 and 2019 lists, and deservedly so. I really really love this album - and was lucky to have an early listen of this one too. With the album in 2018, an EP release at the start of this year and a busy tour schedule with BD I'm impressed at the rate at which he got this album out into the world - I feel lazy just thinking about all of that. Written in response to the end of a brief but intense fling, this is an incredibly personal, yet relatable, record from Christof. As you might expect it is sad in places, while being full of optimism and hope in others. Production from bandmate Marcus Hamblett is superb too - the finished record is raw and intimate and really deserving of a spot on the list.


5. Lucy Rose - No Words Left

After a little thought about who finished up my top five albums of the year my thoughts kept on returning to Lucy Rose and her fourth studio album. It is, in a word, sublime. In direct comparison to her previous records, this one is incredibly stripped back (centring around vocals, guitar, piano and strings) and is as a result stark and vulnerable. At the time of release Lucy wrote online that "these songs have allowed me to get to know myself in a way I haven't before and I'm sure after you listen to it you'll end up knowing me better as well." It is a record which explores issues of anxiety, isolation and uncertainty without sugarcoating anything, it is exactly the kind of record that I needed to hear this year. While I really connect with a number of lyrics across the record, my favourite track is perhaps The Confines Of This World, in which Lucy delivers the lines "I really don't mean to bring you down, But I need someone to talk to." 



Well done for making it this far - that's my top five albums of the year. I genuinely adore each of them, and will enjoy listening to them on repeat for years to come, I hope. It's been a bit of an up and down year for me and these albums have really helped to bring some light into my life when I've needed it. But I'm not finished there... there's been plenty more (in fact, more than I'd realised) that I have loved this year, so here is a bit more of a list (in release order) of albums that I really recommend you check out. You'll love them too, I hope!

Busted - Half Way There
Stella Donnelly - Beware of the Dogs
Foals - Everything Not Saved Will Be Lost (Part 1)
Jack Savoretti - Singing to Strangers
Fil Bo Riva - Beautiful Sadness
Pêtr Aleksänder - Closer, Still 
SOAK Grim Town
Hailaker - Hailaker
Vampire Weekend - Father of the Bride
Benedict Benjamin - Truant
Matthew and the Atlas - Morning Dancer
CHILDCARE Wabi-Sabi  
Charlie Cunningham - Permanent Way
Bastille - Doom Days 
Two Door Cinema Club - False Alarm
The Black Keys - "Let's Rock"
Grace Lightman - Silver Eater
The Teskey Brothers - Run Home Slow 
Marika Hackman - Any Human Friend
Bon Iver - i,i 
Liz Lawrence - Pity Party
Geowulf - My Resignation 
Half Moon Run - A Blemish in the Great Light
Leif Vollebekk - New Ways
Marcus Hamblett - Detritus

Monday, 9 September 2019

ALBUM NEWS: Matthew And The Atlas - 'Morning Dancer (Unplugged)'

Some very exciting album news to share today! Specifically of the acoustic, unplugged nature. Matthew & The Atlas shared their beautiful album Morning Dancer earlier in the year and a couple of months ago they headed to Bristol and recorded an acoustic version of the entire album (!!) They did this for last record Temple and the result was sublime so I'm really chuffed to hear this news! The first two tracks Low and Pyres were shared last week and they're as lovely as is to be expected. Morning Dancer (Unplugged) is set for release on November 1st so... set your alarms, mark it in your diaries?! First up, here's Low...


As possibly my favourite track from Morning Dancer I am particularly enjoying Pyres with added harp from Emma Gatrill which you can hear below!


Follow Matthew And The Atlas - Facebook | Twitter | Instagram.

Thursday, 18 July 2019

WATCH: Matthew And The Atlas - 'Calling Long Distance'

Take one of my favourite bands (Matthew And The Atlas), one of my favourite music venues (Omeara) and one of my favourite actors (Charlie Cox) and you get something pretty special. Calling Long Distance is taken from the recent Morning Dancer album by MATA, and it's a beautifully understated track, showing off vocalist Matt Hegarty's unique tone. Loved catching the band again this weekend at Citadel Festival on the Communion Presents stage!


With a run of US and European shows coming up, the band return to the London stage with a headline show at EartH in Hackney on 20th November - full dates here.

Follow Matthew And The Atlas - Facebook | Twitter | Instagram.

Tuesday, 16 April 2019

LISTEN: Matthew & The Atlas - 'Plaything'

With just over three weeks until the release of their brand new record Morning Dancer, Matthew & The Atlas have shared new track Plaything. It's the fourth track to be released from the record, and while it'll take something very special to overtake Pyres as my favourite track I'm really enjoying this one and can't wait to hear the album in its entirety on 10th May!

Driven by a strong drum beat, an instrumental section in the track shows the incredible musicianship at play among the band as guitars, drums, clarinet (and probably lots more, knowing these guys) combine to create something which is sonically rather lovely. On top of all this beautiful noise come the delicately crafted harmonies between vocalists Matt Hegarty and Emma Gatrill. Listen below...


Matthew & The Atlas head out tour just after the album release, playing shows around the UK and Europe. UK shows are listed below, with full dates and tickets available here.

12th May - Patterns, Brighton
13th May - The Fleece, Bristol
14th May - The Globe, Cardiff
16th May - Omeara, London
17th May - Bodega, Nottingham
18th May - Castle & Falcon, Birmingham
20th May - Norwich Arts Centre, Norwich
21st May - Deaf Institute, Manchester
22nd May - Leaf, Liverpool
24th May - The Wardrobe, Leeds
27th May - Stereo, Glasgow
28th May - The Mash House, Edinburgh
29th May - Voodoo, Belfast
30th May - The Grand Social, Dublin

Follow Matthew And The Atlas - Facebook | Twitter | Instagram.

Monday, 28 January 2019

LISTEN: Matthew And The Atlas - 'Pyres'

I often ramble about my love for the independent label Communion... they're brilliant and they always deserve the praise, constantly delivering music and shows from some of the most exciting new bands out there. Their first ever signing was the total legend Matthew And The Atlas, very quickly hailed by Q Magazine as a "British Bon Iver" and deservedly so. Last year, I caught Matt and the band performing in the beautiful surroundings of a Church in Shepherd's Bush for the label's Bushstock Festival, I was volunteering in the venue and it was a little overwhelming to be standing around in the 'backstage' area while members of the band came and went. The set was glorious.

I am delighted to hear that Matt is releasing his brand new album Morning Dancer on 10th May and absolutely can not get enough of the first single Pyres. Musically it's a far cry from his early acoustic offerings of 2010, and even the Cali and Palace EPs of 2017, but this is in no way a bad thing. Matt's unmistakable vocals shine through the track, with gorgeous harmonies and as Communion themselves describe it, "illustrious brass interjections" which need to be heard to believe. I've essentially had this track on repeat on my 2019: cool music and things playlist all weekend.


Matthew And The Atlas are heading out on a UK tour in May to celebrate the release of Morning Dancer, full dates are as follows: Patterns, Brighton (12th May); The Fleece, Bristol (13th); The Globe, Cardiff (14th); Omeara, London (16th); Bodega, Nottingham (17th); The Castle & Falcon, Birmingham (18th); Arts Centre, Norwich (20th); Deaf Institute, Manchester (21st); Leaf, Liverpool (22nd); The Wardrobe, Leeds (24th); Stereo, Glasgow (27th); Mash House, Edinburgh (28th); Voodoo, Belfast (29th); Grand Social, Dublin (30th). Grab tickets for all those shows here!

Follow Matthew And The Atlas - Facebook | Twitter | Instagram | Spotify.

Monday, 11 June 2018

LISTEN: Matthew & The Atlas - 'Cali' EP

Matthew & The Atlas's recent EP in a word? Dreamy. The talented ensemble are fronted by Matt Hegarty, whose beautifully smooth vocals are just the tip of the iceberg on this release. Cali has been out in the world for a couple of weeks, and while it's soothing sounds might more closely suit a winter release (I can totally picture listening to the EP next to a fire with a hot chocolate... just me?) it's a stunning collection of tracks, whatever the weather. The single Seventeen is a highlight for me, and I'm crossing everything that I can get to this year's Bushstock in a couple of weeks and catch the band, alongside the likes of Seramic, Peace and Flyte (last few tickets for that are on sale at the moment - grab yours now!)


Follow Matthew And The Atlas online - Facebook | Twitter | Instagram | Spotify.

Wednesday, 10 January 2018

WATCH: Matthew & The Atlas - 'Palace' for 7 Layers

Happy new year folks! I've been a little quiet on here for the last few weeks as I've been working full time over Christmas and finding time to write posts has been tricky, but I'm hoping to get back to posting more regularly now! What better way to kick the year off than with a beautiful session from absolute folk legend Matthew And The Atlas, with the title track of the recent EP, Palace for 7 Layers. What a voice! I got a little distracted from writing the post and took a tour through most of his singles catalogue on Spotify... it's pretty faultless and I'd recommend that you do the same, but the recent EP is a great place to start if you're new to his music!


Follow Matthew And The Atlas online - Facebook | Twitter | Instagram | Spotify.

Sunday, 19 June 2016

LIVE: Bushstock Festival 2016

Yesterday I went to my last gig/festival as a teenager and my first for a month, the sixth Bushstock Festival (my second) and experienced some wonderful live music amongst passionate music fans. Organised by Communion Music, the festival was almost guaranteed to be a winner in terms of the line-up, with the label championing so many superb up and coming artists in London and beyond (Ben Howard, Nick Mulvey and James Bay to name a few!) Being the cheapskate (and student!) I am, I didn't buy a ticket, but entered all the competitions I could find, and won a pair of tickets for the festival through TOMS (thanks TOMS!) A part of the prize was also access to an acoustic garden set by Dan Croll, the headliner of the biggest venue on the night.

Until that set, I didn't have anything I was desperate to see, but knew that if the festival was like last year, there would be a secret line-up (last year I saw Alex Vargas, Nick Mulvey and The Staves in the secret stage). There was, but this year they'd split it into two venues, meaning more people would get a shot as last year most people seemed to stick around for all three sets. I checked Twitter and they'd announced Luke Sital-Singh as the first secret act - I'd heard a lot about him but couldn't remember listening to him, so figured it was the perfect opportunity and headed to the venue.


I loved his set and his humour, particularly when he forgot one of the verses to Nothing Stays The Same (below) and the guy sat next to me helped with lyrics. While it was all new to me, he played tracks from his new record which is ready, and they sounded pretty good!


When Luke's finished, they tweeted that the second secret set was going to be The Beach. As I caught his set on the recent New Faces tour I decided to give it a miss and headed over the road to see MarthaGunn. I'd listened to a couple of the tracks in the run up to the festival as I have seen their name recently as supporting Toothless and Bear's Den, so I figured that they must be worth checking out. It was pretty full for them and they really impressed me and I look forward to seeing where the rest of the year takes them. Loving their recent release Heaven which they finished the set off with, the studio version is below but this acoustic session is worth a watch if you enjoy!



I wandered off to find something to eat, and as I walked across the road from the venue where the third secret set would be at 5, it was 4 so I expected an announcement at any minute, before I noticed three of the guys from Amber Run coming outside. I was there pretty early but luckily so as the venue filled up by 4.25, and the guys played a beautiful stripped back set. I had actually been tempted to go to the London Contemporary Voices show yesterday, where the band were performing, so this was a great surprise! 


The set started with Joe playing the band's track I Found by himself, not too unlike this session... it was great to see them again after catching them at one of my first shows in Oxford back in 2014 on the Communion New Faces tour.


Next up I headed to St Stephen's Church and caught some of Charlie Cunningham's set. I saw him back in November supporting Stornoway, a show which was also in a church. While I haven't got anything else to compare it to, I feel his sound probably works best in this kind of environment where his beautiful voice can fill the whole room. Even his Facebook cover photo is taken in a church... One song that I'd really remembered from the set in November is Telling It Wrong, which went down really well last night - the church was pretty full for Charlie's set! 


Once my friend arrived, we dashed to the Dan Croll set at the TOMS Secret Garden Stage, which it turned out was in fact exactly that, somebody's garden! While I couldn't see much to begin with (I took the pic below to see where Dan was even stood...) I could hear, and it sounded superb! Very lucky to catch Dan in such a small crowd before he headlined Bush Hall in the evening!


When I won the tickets, I hadn't actually listened to Dan that much (a bit of a recurring theme!) but after checking out his videos online, found that I had heard From Nowhere before. I listened to and loved his track Home, and found it pretty funny hearing the track last night. The lyrics "so if you ever come round to my house take your shoes off at the door, cos it's impolite not to, you'll be damaging my floor, cos it's my home" made me chuckle, considering we'd all just walked through someone's house with our shoes on! Rubbish house manners aside, a lovely little stage and a great set!



After Dan's set, we rushed back over to St Stephen's, where Bear's Den were headlining in just over an hour. Matthew & The Atlas were up first and it was already pretty much at capacity but we managed to squeeze in. The title track of his latest record, Temple, is on the record which Communion released for Record Store Day, so I'd listened to this and the session below, but the music was mostly pretty new to me but I was just as impressed as the rest of the church. As Davie of Bear's Den said during their set, he sounds like he's "a million years old, but still sexy.... we can all only hope to be sexy when we're a million years old."


Finally, the main event - Bear's Den took to the stage (a little late) and instantly wowed the crowd, opening their set with the title track of their new record Red Earth & Pouring Rain. They played a few more tracks from the new record (including the beautiful Auld Wives which they released recently), and all are sounding great - can't wait to hear the record in full! The hits from the debut record were great too, and it was a massive shame to leave just as they started playing Agape in their encore to make sure I could catch my train (which I only just did!)



The set was superb and I'd really recommend taking a listen, buying the record next month (July 22nd) and going to their tour in November (they're also playing some in-stores around the album release date.) It seems fitting to finish off with a video of them performing Agape for a session in the church back in 2013 - it was completely packed last night and deservingly so!


Overall I had such a great day and it's testament to the brilliant organisation both in the run up over the last months and on the day - I say it a lot but I have a lot of faith in the music that Communion get behind, making a day like yesterday pretty difficult to plan out. I caught seven brilliant acts but there was still so much more going on and I only wish I could've split myself in half and seen more (ShuraFlyte, Tempesst etc!) As well as that, every act I saw throughout the day seemed genuinely humbled that people had turned up to watch them, which is always so lovely to see as a fan. Long may Bushstock continue!!