My albums of the year (2019)

Frankly, 2020 can't come quickly enough - partly as it is bringing us a new Bombay Bicycle Club album and I am counting down each second until that is in my life. Beyond that, there are debuts from Seramic, Rhys Lewis and White Tail Falls to expect as well as new records from the likes of The Staves, Lucy Leave and The Big Moon - there's a lot to be excited about! Before all of that, however, it's time to look back on the music that I've been listening to this year with a round-up of my favourite albums of the year. I loved doing a post like this last year - when Novo Amor narrowly missed out on the top spot to the incredible Someone Out There from Rae Morris (you can catch up on last year's post here.)

As this blog is solely contributed to by me (hi!) the list is a bit of a self-indulgent reflection of the music that I've been loving this year. It's been a bit of a rollercoaster of a year, which kicked off with me being made redundant from my job at HMV back in February. I've traded music and films for a job as a bookseller now and I'm loving it, but I still miss being surrounded by music lovers every day. It has become even more important to me to have the blog to use as an outlet to ramble about the music that I love, and what follows below is five of the records that I've fallen in love with this year, with a further list of several more brilliant albums that I wanted to shout about.

1. Maggie Rogers - Heard It In A Past Life

Could there really be anybody else but Maggie Rogers in the top spot this year? Her incredible record has come to occupy a really special place in my heart. I first started listening to Maggie towards the end of 2018 when she was announced as tour support for Mumford & Sons. From then, my love for her grew with each new track that was released, and my anticipation for the record grew. The album itself arrived in January, while HMV was in administration and in the midst of a really confusing and stressful time for me. It is no exaggeration to say that it helped to ground me and bring me much needed joy through the experience of redundancy. I spent several weeks listening to the album at least once daily, finding new aspects of it to love with each listen.

I feel that it's worth noting that Heard It In A Past Life is Maggie's debut album, and as such it is even more impressive. She has recently been nominated for the Best New Artist Grammy award, the pinnacle of a whirlwind year of touring, huge TV appearances and a whole lot of dancing like nobody (or indeed, everybody) is watching. Given that I adore the album in its entirety, I struggle to pick a favourite track from it, but a stand-out track for me from the first few listens was Burning, so why not start there and then go on to check out the entire album. You can thank me later!

2. Friendly Fires - Inflorescent

Next up an in a really close second is an album that I spent a long time waiting for, worrying that it might never exist. I think even the band themselves couldn't be sure that they would make this record, but I am so incredibly glad that they did. Friendly Fires were one of my favourite bands of the early 2010s and I worried that I'd never get to see them play live when they took an extended hiatus several years ago. To my delight they returned in late 2017 and I was lucky to see their triumphant London return last April. Fast forward a year or so and the moment that I'd been waiting for... an album announcement. The wait was finally over in August, and it was more than worth it. I think that I probably annoyed some people with how much I couldn't stop talking about the album when it was released.

The record is an injection of pure joy in what is very often a pretty miserable world. Friendly Fires are back with their infectious energy, catchy hooks, incredible live shows and an album to fix all of our problems. Or possibly just to get us dancing - but that's a start. Again, I really adore the full record but my favourite track would probably have to be Silhouettes. A certified bop.

3. Bear's Den - So that you might hear me

Having been a big fan of Bear's Den for a few years, one of the coolest perks of running this little blog came earlier this year when I received a link to listen to their album and review it six weeks ahead of release. It arrived in my inbox while I was searching for a new job and feeling a little lost, and the album felt like something that I could keep to myself before it was released out into the world - it really came to mean a lot. I recall describing my review at the time as being like a love letter to the band. It sounds a little cliché to say that an album tangible helped you through a situation but it really did. I've been lucky to see the band live a few times this year in various settings (headlining a stage at Citadel Festival and the O2 Shepherds Bush Empire to name a couple) - it's been a Bear's Den kind of year and I'm very happy about that.

In their third studio album, we find the band enjoying the confidence that the success of previous records Islands and Red Earth & Pouring Rain brought, combining the acoustic and electric elements of both to explore new ground sonically. The record explores themes of intimacy and connection. with the band describing it as being about "trying to communicate with someone honestly [...] an attempt to reveal the honest and difficult challenge of communicating with anyone that you really care about." It is a gorgeous example of Davie's skills as a songwriter, bringing to life his story and those of others. A favourite track of mine is the opener Hiding Bottles, written about his relationship with a close family member with an alcohol addiction. From my first listen, the lyric "well I'm keeping it together but you don't know the half of it. It's starting to show, no I'm not on top of this" has really resonated with me.

4. Christof van der Ven - You Were The Place

In a way, Christof manages to make his way onto this list twice - he's a touring member of Bear's Den, creating some gorgeous solo music in the spare time that allows him. Having released his gorgeous debut album at the start of last year, he's the only artist to have been on both the 2018 and 2019 lists, and deservedly so. I really really love this album - and was lucky to have an early listen of this one too. With the album in 2018, an EP release at the start of this year and a busy tour schedule with BD I'm impressed at the rate at which he got this album out into the world - I feel lazy just thinking about all of that. Written in response to the end of a brief but intense fling, this is an incredibly personal, yet relatable, record from Christof. As you might expect it is sad in places, while being full of optimism and hope in others. Production from bandmate Marcus Hamblett is superb too - the finished record is raw and intimate and really deserving of a spot on the list.

5. Lucy Rose - No Words Left

After a little thought about who finished up my top five albums of the year my thoughts kept on returning to Lucy Rose and her fourth studio album. It is, in a word, sublime. In direct comparison to her previous records, this one is incredibly stripped back (centring around vocals, guitar, piano and strings) and is as a result stark and vulnerable. At the time of release Lucy wrote online that "these songs have allowed me to get to know myself in a way I haven't before and I'm sure after you listen to it you'll end up knowing me better as well." It is a record which explores issues of anxiety, isolation and uncertainty without sugarcoating anything, it is exactly the kind of record that I needed to hear this year. While I really connect with a number of lyrics across the record, my favourite track is perhaps The Confines Of This World, in which Lucy delivers the lines "I really don't mean to bring you down, But I need someone to talk to." 



Well done for making it this far - that's my top five albums of the year. I genuinely adore each of them, and will enjoy listening to them on repeat for years to come, I hope. It's been a bit of an up and down year for me and these albums have really helped to bring some light into my life when I've needed it. But I'm not finished there... there's been plenty more (in fact, more than I'd realised) that I have loved this year, so here is a bit more of a list (in release order) of albums that I really recommend you check out. You'll love them too, I hope!

Busted - Half Way There
Stella Donnelly - Beware of the Dogs
Foals - Everything Not Saved Will Be Lost (Part 1)
Jack Savoretti - Singing to Strangers
Fil Bo Riva - Beautiful Sadness
Pêtr Aleksänder - Closer, Still 
SOAK - Grim Town
Hailaker - Hailaker
Vampire Weekend - Father of the Bride
Benedict Benjamin - Truant
Matthew and the Atlas - Morning Dancer
CHILDCARE - Wabi-Sabi  
Charlie Cunningham - Permanent Way
Bastille - Doom Days 
Two Door Cinema Club - False Alarm
The Black Keys - "Let's Rock"
Grace Lightman - Silver Eater
The Teskey Brothers - Run Home Slow 
Marika Hackman - Any Human Friend
Bon Iver - i,i 
Liz Lawrence - Pity Party
Geowulf - My Resignation 
Half Moon Run - A Blemish in the Great Light
Leif Vollebekk - New Ways
Marcus Hamblett - Detritus

WATCH: Friendly Fires - 'Offline' and 'Heaven Let Me In' (VEVO)

If you follow me or the blog on any of my various social media accounts you'll have very likely seen my constant stream of Friendly Fires appreciation at the moment. It seems to have been effected because a couple of days ago, I got an email from the band's press with an early preview of two gorgeous new live videos that the band have filmed with VEVO.

The videos see the band performing Offline (above) and Heaven Let Me In, tracks which are both taken from their new record Inflorescent, which was released on Friday. Having already heard half of the record through a very tasty run of single releases, I had fairly high hopes for this record. The band (who I love dearly) have surpassed expectations. Inflorescent is everything I wanted it to be, but somehow so much more. Once I've listened some (lots) more and wrapped my head around each of the tracks individually I will try my best to get a write-up shared because I'm genuinely adoring the album and want to talk about it to anybody who will listen. For now - here are two gorgeous live videos, which showcase the talent and infectious energy that the band bring to each performance.

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WATCH: Friendly Fires - 'Silhouettes'

After years and years (in fact - a third of my life, or thereabouts) of waiting it is finally time for a new Friendly Fires album this Friday (16th) and I couldn't be more excited about it!!! With a bunch of singles being released over the last year or so, we've heard about half of the album and it is shaping up to be something really special. Obviously. Tiding me over at the moment is recent single Silhouettes which I'm loving, particularly it's glorious video. It features frontman Ed Macfarlane busting out some ace dance moves, exactly as he does during the band's live performances, truly a sight to behold. Watch below and grab tickets for the upcoming shows here.

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LISTEN: Friendly Fires - 'Run The Wild Flowers'

More new Friendly Fires. YES! They're one of my favourite bands in the world and I can't wait for their brand new album to drop in less than three weeks. With recent tune Silhouettes doing the rounds on the radio, they've just shared yet another single from the album - Run The Wild Flowers. This one is a little different and I'm getting a slightly Low Island vibe off of it (a very good thing.) We've heard around half of the new record now and it is shaping up to be as sublime as I'd hoped. It'll likely be in album of the year territory for me! Though it'll have to stave off Maggie Rogers' Heard It In A Past Life first.

While they're currently in the midst of a string of festival dates, the group have just announced a tour to celebrate the album release later in the year. I've got my ticket for the Roundhouse gig - get yours here! A Friendly Fires show, complete with the utterly contagious high spirits and dance moves of frontman Ed Macfarlane, is something you should all experience. 

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LIVE: Citadel Festival 2019

On Sunday I had the absolute pleasure of joining thousands of music fans in (very) West London's Gunnersbury Park for this year's Citadel Festival. My third one-day metropolitan festival of the year, it was a gorgeous day of live music, surprisingly decent weather and brilliant company. I was there to review and found it particularly amusing when the guy on the press box office asked "what publication are you with?" to which I bemusedly gave the name of my tiny blog as confidently as if it were the NME itself.

A reduced train service combined with a fault on the line held me up and meant that we missed the start of MarthaGunn's set but thankfully caught the majority of it, heading in the direction of recent single Saint Cecilia once we'd made it through security. Playing on the stage closest to the festival entrance, they opened up proceedings beautifully for those just arriving, showcasing brand new tracks and old favourites to the crowd at the Communion Presents stage. Closing the set, early single Heaven was a highlight, and I'm quickly realising that lead singer Abi is my hero.

As if all of my 2017 Communion dreams had come true, next up on the stage were Banfi. I caught some of their set at Bushstock recently, but couldn't see much from the back of the venue so it was great to see them again - my tenth time seeing them live and always a treat! Newly appointed manager/bassist Scott Miller (of Dry The River fame) fits into the band perfectly. They too delivered a set combining old favourites She Comes Home, Never Really Cared and Happy When You Go seamlessly with brand new tracks from the debut album they're working on. (Can't wait!!)

Next, with a gap in our schedule we had a break from the music, and explored more of the festival site. Near the main stage we found an area hosting a range of comedy, science and circus performances. We were drawn in by some dance, and were shortly being a little bit mesmerised by some diablo skills in the Roundhouse Presents area.

After a while of watching and repeatedly exclaiming "how? HOW?!" at the mind-boggling talent on show, we headed back towards the Communion tent, walking via the main stage and catching some of The Coronas on the way. After enjoying their new track So Caught Up recently I was really looking forward to checking out what Melbourne's The Teskey Brothers had to offer. Despite their early afternoon slot, they filled out the tent and played blues rock to a hugely enthusiastic crowd, hanging off their every word and over the moon at the addition of a harmonica to the mix. As their bio says, "onstage, singer Josh Teskey's smoke whiskey voice defies expectation, flooring audiences." Their new album Run Home Slow is out August 2nd!

We stuck around at the Communion stage afterwards - as I said in my preview of the festival, the quality of their booking means I could've happily stayed there all day. Next up was Matthew And The Atlas - my fourth time seeing the band, but the first out of the surroundings of a church venue (twice at Bushstock Festival and once at a special Bear's Den Christmas show.) Vocalist Matt Hegarty and his incredibly talented band ran through a set featuring two of my favourite tunes, On A Midnight Street and Pyres, before treating us to a peaceful rendition of Elijah. Watch out for a post on his brand new video later this week!

Cue a dash for food and a rush to the main stage, where we managed to catch the end of the DMA's set. Hailing from Sydney, I'd never listened to them before and quite enjoyed what we saw - it was pretty clear that they were well loved. In parts it felt like the vocals of Blossoms tied with the guitar lines I love from The Vaccines - a solid combination indeed. We managed to make our way through the crowd and get much closer to the front for the set I'd been most excited for, the opportunity to see one of my absolute favourite bands live again.

Friendly Fires delivered a hell of a performance, with frontman Ed Macfarlane showing us his signature (and frankly marvellous) dance moves from the first notes of opener Lovesick right through to closing track Kiss Of Life. I'm not really one for much dancing at gigs but it's impossible not to find your hips swaying along to these guys. In a completely joyous set (complete with a LOT of singing along on my part) the band ran through tracks from their self-titled debut album, the utterly sublime second album Pala and singles from upcoming album Inflorescent, due for release 16th August. It's been a long wait and from the tracks we've heard so far, I think it'll have been worth every second.

Feeling completely elated from their set, we quickly headed back to the Communion stage to catch the second half of Jade Bird's set. She was a last minute addition to the line-up, replacing Matt Corby due to illness, and what a welcome addition. I've been wanting to see her live for a while and really enjoyed the set, full of tracks from her recent self-titled debut - the only sad thing is that I think I missed her playing my favourite track, Uh Huh. I guess I'll just have to go and see her play again!

In a miraculous turn of events, we managed to get back to the front row in time for the stage's (reasonably early, at just after 7pm) headline set from one of my favourite bands, Bear's Den. It was my fourth time seeing them on the So that you might hear me run of shows and it was an absolutely triumphant return to the hometown stage after months of touring the album across Europe and the US. In a typical 21st century move, a guy on the front row was streaming the cricket live on his phone, holding it up for those around him to watch before the band started, and an amusing moment in the set arrived when the crowd cheered and clapped for a while after the second or third track. The band looked chuffed and I joined in, thinking it was sweet that the crowd loved them so much, before realising that it was because we'd just won the cricket.

In an hour long set (my only complaint is that this passed far too quickly) showcasing favourites from all three albums, the crowd proved themselves to be very much in love with the group, singing at the top of their lungs and clapping along at every opportunity, and occasionally resorting to cries of "we love the Den!!!" between tracks. It was my 11th (I think) time seeing the band but felt just as exciting as the first, with the opening banjo notes of final track Agape still instilling a lot of joy. After a Highlands & Islands tour of Scotland next month they're touring the UK later in the year, and have just announced a show at London's Eventim Apollo for 20th February - full dates here.

After catching up with some friends we headed back through the festival site to the main stage to watch some of the headline set from Catfish and the Bottlemen. For some reason I've never really taken a proper listen to the band, and mostly know them from what I've heard on the radio, but as we walked across the park, I could hear their first album hit Kathleen and couldn't help but speed up to get closer ("I know this one!"). With the morning's train woes in the back of my mind, we didn't stay for the whole set so that we could beat the crowds back to the tube, but from what I did see they proved themselves more than worthy of the top spot on the billing.

All in all I totally loved my first Citadel Festival and would certainly recommend it to people looking for a family friendly Summer festival that has things other than just music on offer. If the line-up next year is anything as strong as yesterday's (bear in mind that I missed Bastille and a host of other brilliant artists) then you'll be in for a treat.

PREVIEW: Citadel Festival 2019

Ridiculously excited to share that I'll be heading to this year's Citadel Festival next Sunday (July 14th) to watch some of my favourite bands and write about it for the blog. One of the coolest blog related perks to date. It's my first time at the festival, a single day event in Gunnersbury Park in West London which started back in 2015 with the particularly impressive co-headliners Bombay Bicycle Club and Ben Howard. The likes of Foals and Tame Impala have since headed line-ups full to the brim with a programme of live music, talks, workshops and even a spot of yoga. Fun and educational for all the family. With Catfish and the Bottlemen heading up a very strong line-up this year I am very much looking forward to it and keeping my fingers crossed for good weather on the day!

Testament to the quality of the line-up, I'm probably most excited about the artists playing (and headlining) one of the smaller stages this year, as Communion Music (that indie label that I ramble about quite a lot) are curating the secondary stage. MarthaGunn and Banfi kick off proceedings, before Cleopatrick, The Teskey Brothers, Matthew and The Atlas and recent Bushstock Festival headliner Matt Corby. The stage's headliners (and some of my favourite chaps in the world) are Bear's Den, returning to the UK for a huge hometown set after a pretty much non-stop run of touring across Europe and the US since the release of their album So that you might hear me back in April. The latest Communion Presents on Radio X show is worth a listen - Maz was joined by Davie from Bear's Den for a Citadel takeover with music from acts playing across the festival - listen here.

You could in all honestly stay at the Communion Music stage all day and go home feeling that you've got your money's worth.  Personally, I'll be tearing myself away from the barrier there and heading to the main stage to catch another of my absolute favourite bands, Friendly Fires. I've been a big fan of the band for years and finally got to see them live last April at their comeback O2 Brixton show - lead singer Ed's dancing was as infectious as I'd expected and if you're heading to the festival these really should not be missed. With their last album released back in 2011, they'll be playing tracks from upcoming record Inflorescent, due for release in August.

They'll be followed up by Bastille - a brilliant live act who's stage set up at Glastonbury (currently catching up on the iPlayer) was on another level. The festival happens to coincide with lead singer Dan Smith's birthday (Bastille Day) so it's bound to be a bit of a riot! Welsh indie-rockers Catfish and the Bottlemen bring proceedings on the main stage to a close, with tracks from their recent album The Balance which reached number two in the album charts back in May. I've not seen them live before so I'm intrigued to catch their set as I know a lot of people who have a lot of love for the band and their shows!

The likes of DMA's, Tinariwen, Dream Wife, Fontaines DC and Talos complete the music line-up across a few stages, while a range of workshops, talks, quizzes and other events take place during the day - Peppa Pig is even making an appearance. Not to mention a bunch of London's best street food outlets to choose from.

Between Friendly Fires, Bear's Den and more I'm excited to see some of my favourite artists and to hopefully discover some new bands next weekend. Tickets for the festival are available here and you can download the official Citadel app to check out timings and other info on the day.

ALBUM NEWS: Friendly Fires - 'Inflorescent'

It is no exaggeration to say that I have been waiting for this news for years. Since their return at the end of 2017 and finally getting to see them play live last April, Friendly Fires have been teasing us with a couple of incredible new singles in the shape of Love Like Waves and Heaven Let Me In. The wait is finally over. New album Inflorescent, the follow up to 2011 (!!) record Pala is due for release  on 16th August and there is another cracking new single to sink your teeth into. Here's Silhouettes...

Pre-order the record here, and check out the band's site for upcoming festival appearances, including Glastonbury and Citadel.

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LISTEN: Friendly Fires - 'Heaven Let Me In'

They're back!! Friendly Fires have shared their second single of 2018 in the shape of Heaven Let Me In, which was premiered by Annie Mac as her Hottest Record in The World earlier this week. It's a complete and utter tune, and was co-produced by Disclosure no less. In true Friendly Fires style there is so much going on in the track, with the funkiest of beats gravitating around frontman Ed Macfarlane's soothing vocals, coming together to make something altogether... well, heavenly. During the premiere, Annie interviewed the guys, who told her that the tune, alongside Love Like Waves, are taken from an upcoming record (!!) which Ed explains is "going good. We have a deadline and we're getting there." You'll find me eagerly awaiting news of this record until it arrives!

Seeing Friendly Fires live earlier in the year as they returned after a few years away from the stage was honestly one of the best live music experiences I've ever had. The show was a complete joy from beginning to end. Not least because of Ed's infectious dance moves. They've just announced an intimate club tour for November, where they'll be playing live in club venues, where they started out, alongside a line-up of DJs - tickets go on general sale tomorrow, grab yours through their site here.

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LISTEN: Friendly Fires - 'Love Like Waves'

Friendly Fires have been a huge musical love of mine since around the time of the release of their second record, Pala, back in 2011. From what I had seen of their live shows on Youtube (particularly this Glastonbury set) I knew that they put on an incredible show both musically and visually, with frontman Ed's contagious snake hips taking centre stage. Of all the bands I love who I haven't seen live yet, they've always been pretty high on the list, but I genuinely believed I'd never get to see them as their hiatus began to stretch out over a few years.

In September the band started to post some cryptic photos and video clips online. Could they be coming back? Suddenly, a huge comeback show at O2 Academy Brixton was announced, and somehow, I managed to get a ticket. Fast forward through half a year of anticipation and endless listens of both of their records, and the show finally arrived last Thursday. I took some pretty huge expectations along but somehow the band, performing as an ensemble of eight, exceeded them and put on one of the best gigs I've ever been to. From the music itself (an incredible nostalgia trip and incredibly tight considering they're slightly out of practice), Ed's dancing (it struck me as hilarious that he told the crowd "I'm loosening up a bit" a few tracks in, having already danced his socks off at every possible moment prior to this) and the incredible visuals to the fact they managed to bring some Summery vibes to an otherwise drizzly April, the entire show was everything I hoped that it would be. Before they took to the stage it almost felt like a "don't meet your idols" scenario... I'd placed so much love into the band, what if they disappointed? That turned out to be a foolish worry - they were incredible and I am very much still in love with them.

A couple of days prior to the show, Annie Mac announced that she would be premiering their new track Love Like Waves on her BBC Radio 1 show on the evening of the gig. Naturally I started to wonder how well I'd be able to hear it through earphones in the crowd. Fear not - the band announced that the airplay would be streamed live through the PA at the show, urging fans to get down early to be there for the first listen. Hearing this first new music from the band in years I was pretty overwhelmed, even more so to see it performed live just a couple of hours later. After several (honestly, lots and lots) more listens since the show I can confirm that the track is pretty darn great, and alongside new cuts Tijuana and Can't Wait Forever which were performed at the show, it gives us a lot to look forward to from the band. I've got everything crossed that they've got an album in the pipeline - I can already tell you for certain that it will be worth the wait. 

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