Showing posts with label The Teskey Brothers. Show all posts
Showing posts with label The Teskey Brothers. Show all posts

Thursday, 1 August 2019

LISTEN: The Teskey Brothers - 'Run Home Slow'

Happy Thursday! I’m really excited to share a write-up of a lovely new album that is released tomorrow, from Aussie group The Teskey Brothers. It’s actually only a few weeks since I first listened to the band with the release of single So Caught Up. The track fell into my inbox, I posted about it (saying that I was “really really digging this one”) and was soon watching the band play a set on the Communion Music stage at Citadel Festival. I really enjoyed their set and was as blown away by frontman Josh’s vocals live as I expected. Maybe more. Despite their mid-afternoon slot, the band managed to fill out the tent, playing to a large audience of adoring fans who were lapping up new music alongside older tracks.


Hailing from the outback near Melbourne, The Teskey Brothers are a four-piece made up of brothers Josh (vocals) and Sam Teskey (guitar) alongside Brendon Love (bass) and Liam Gough (drums). They started playing music together as teenagers, realising that they shared a love for 1960s American soul music - an influence which remains clear in the music they’re releasing now. They released debut album Half Moon Harvest around two and a half years ago, for which they were awarded ‘Best Soul, Funk, R’N’B or Gospel Album' at The Age Music Victoria Awards (as well as Best Emerging Act). As well as a positive critical reception, the release of the album saw them starting to amass a larger following and play bigger shows, with recent sell-out shows in Union Chapel and Omeara in London.

Run Home Slow is the album’s follow-up and - I think/hope that fans will agree - it is worth the wait! Recorded straight to 2-inch tape, the band are keen to honour the methods and sounds of old school Motown. Presented as a rebellion to the digital age, the album delivers a quite endearing level of authenticity and rawness that is quite rare in our current age where most music is heavily-produced. From the very first notes of opening track Let Me Let You Down a false-start makes it clear that we're hearing a live take. For me, elements like that give the album some character - who wants a perfect take anyway?

The band enlisted the help of producer Paul Butler (Michael Kiwanuka, Andrew Bird) who flew to the band’s home studio in Victoria to work on the album. Together they've created a record which sees a sonic progression from the first record, whilst still maintaining the elements of that record which fans had loved so much. Of this process, drummer Liam Gough explains that “we were really aware that we didn’t want to alienate fans […] We feel really proud of the first album, but the second album needed to be a step up.

I think it's testament to the recording process that I'm struggling to pick out favourite tracks on the record - I feel that it works best as a whole. I'm loving Hold Me at the moment, particularly in a gorgeous performance for US show CBS This Morning (watch below) - those harmonies are sublime. As my first introduction to the band and one of the livelier tracks on the record, So Caught Up also remains a highlight for me. Falling around the half-way mark of the album, it enlists a bit more ‘pop’ than fans of the band might be used to. Bassist Brendon Love details that it “was a bit different to what we’d normally play […] but we were also quite excited about that.” Judging by the reaction the track got at Citadel: so are the fans.


Closing track That Bird came to Josh in a dream while he was camping in the Colorado wilderness (you couldn't make it up.) Bringing the album and its themes to a close beautifully, its gentle groove provides the setting for a conversation about, Josh explains, whether it is “better to live in the present and forget about the past or is it better to learn from the past and use those mistakes to grow from?” 

To summarise: at various points this album will make you want to dance, sing, cry and play your best air-guitar, all while remaining transfixed by Josh’s stunning lead vocals and the glorious musical talents of the entire band. Be sure to take a listen when it is released tomorrow! 

Having sold out Union Chapel earlier this year, they’ve got a sold out Jazz Cafe gig coming up on 3rd September. Be on the look-out for show announcements for later in the year too! 

Follow The Teskey Brothers - Facebook | Twitter | Instagram.

Monday, 15 July 2019

LIVE: Citadel Festival 2019

On Sunday I had the absolute pleasure of joining thousands of music fans in (very) West London's Gunnersbury Park for this year's Citadel Festival. My third one-day metropolitan festival of the year, it was a gorgeous day of live music, surprisingly decent weather and brilliant company. I was there to review and found it particularly amusing when the guy on the press box office asked "what publication are you with?" to which I bemusedly gave the name of my tiny blog as confidently as if it were the NME itself.

A reduced train service combined with a fault on the line held me up and meant that we missed the start of MarthaGunn's set but thankfully caught the majority of it, heading in the direction of recent single Saint Cecilia once we'd made it through security. Playing on the stage closest to the festival entrance, they opened up proceedings beautifully for those just arriving, showcasing brand new tracks and old favourites to the crowd at the Communion Presents stage. Closing the set, early single Heaven was a highlight, and I'm quickly realising that lead singer Abi is my hero.


As if all of my 2017 Communion dreams had come true, next up on the stage were Banfi. I caught some of their set at Bushstock recently, but couldn't see much from the back of the venue so it was great to see them again - my tenth time seeing them live and always a treat! Newly appointed manager/bassist Scott Miller (of Dry The River fame) fits into the band perfectly. They too delivered a set combining old favourites She Comes Home, Never Really Cared and Happy When You Go seamlessly with brand new tracks from the debut album they're working on. (Can't wait!!)


Next, with a gap in our schedule we had a break from the music, and explored more of the festival site. Near the main stage we found an area hosting a range of comedy, science and circus performances. We were drawn in by some dance, and were shortly being a little bit mesmerised by some diablo skills in the Roundhouse Presents area.

After a while of watching and repeatedly exclaiming "how? HOW?!" at the mind-boggling talent on show, we headed back towards the Communion tent, walking via the main stage and catching some of The Coronas on the way. After enjoying their new track So Caught Up recently I was really looking forward to checking out what Melbourne's The Teskey Brothers had to offer. Despite their early afternoon slot, they filled out the tent and played blues rock to a hugely enthusiastic crowd, hanging off their every word and over the moon at the addition of a harmonica to the mix. As their bio says, "onstage, singer Josh Teskey's smoke whiskey voice defies expectation, flooring audiences." Their new album Run Home Slow is out August 2nd!


We stuck around at the Communion stage afterwards - as I said in my preview of the festival, the quality of their booking means I could've happily stayed there all day. Next up was Matthew And The Atlas - my fourth time seeing the band, but the first out of the surroundings of a church venue (twice at Bushstock Festival and once at a special Bear's Den Christmas show.) Vocalist Matt Hegarty and his incredibly talented band ran through a set featuring two of my favourite tunes, On A Midnight Street and Pyres, before treating us to a peaceful rendition of Elijah. Watch out for a post on his brand new video later this week!



Cue a dash for food and a rush to the main stage, where we managed to catch the end of the DMA's set. Hailing from Sydney, I'd never listened to them before and quite enjoyed what we saw - it was pretty clear that they were well loved. In parts it felt like the vocals of Blossoms tied with the guitar lines I love from The Vaccines - a solid combination indeed. We managed to make our way through the crowd and get much closer to the front for the set I'd been most excited for, the opportunity to see one of my absolute favourite bands live again.

Friendly Fires delivered a hell of a performance, with frontman Ed Macfarlane showing us his signature (and frankly marvellous) dance moves from the first notes of opener Lovesick right through to closing track Kiss Of Life. I'm not really one for much dancing at gigs but it's impossible not to find your hips swaying along to these guys. In a completely joyous set (complete with a LOT of singing along on my part) the band ran through tracks from their self-titled debut album, the utterly sublime second album Pala and singles from upcoming album Inflorescent, due for release 16th August. It's been a long wait and from the tracks we've heard so far, I think it'll have been worth every second.


Feeling completely elated from their set, we quickly headed back to the Communion stage to catch the second half of Jade Bird's set. She was a last minute addition to the line-up, replacing Matt Corby due to illness, and what a welcome addition. I've been wanting to see her live for a while and really enjoyed the set, full of tracks from her recent self-titled debut - the only sad thing is that I think I missed her playing my favourite track, Uh Huh. I guess I'll just have to go and see her play again!


In a miraculous turn of events, we managed to get back to the front row in time for the stage's (reasonably early, at just after 7pm) headline set from one of my favourite bands, Bear's Den. It was my fourth time seeing them on the So that you might hear me run of shows and it was an absolutely triumphant return to the hometown stage after months of touring the album across Europe and the US. In a typical 21st century move, a guy on the front row was streaming the cricket live on his phone, holding it up for those around him to watch before the band started, and an amusing moment in the set arrived when the crowd cheered and clapped for a while after the second or third track. The band looked chuffed and I joined in, thinking it was sweet that the crowd loved them so much, before realising that it was because we'd just won the cricket.

In an hour long set (my only complaint is that this passed far too quickly) showcasing favourites from all three albums, the crowd proved themselves to be very much in love with the group, singing at the top of their lungs and clapping along at every opportunity, and occasionally resorting to cries of "we love the Den!!!" between tracks. It was my 11th (I think) time seeing the band but felt just as exciting as the first, with the opening banjo notes of final track Agape still instilling a lot of joy. After a Highlands & Islands tour of Scotland next month they're touring the UK later in the year, and have just announced a show at London's Eventim Apollo for 20th February - full dates here.


After catching up with some friends we headed back through the festival site to the main stage to watch some of the headline set from Catfish and the Bottlemen. For some reason I've never really taken a proper listen to the band, and mostly know them from what I've heard on the radio, but as we walked across the park, I could hear their first album hit Kathleen and couldn't help but speed up to get closer ("I know this one!"). With the morning's train woes in the back of my mind, we didn't stay for the whole set so that we could beat the crowds back to the tube, but from what I did see they proved themselves more than worthy of the top spot on the billing.


All in all I totally loved my first Citadel Festival and would certainly recommend it to people looking for a family friendly Summer festival that has things other than just music on offer. If the line-up next year is anything as strong as yesterday's (bear in mind that I missed Bastille and a host of other brilliant artists) then you'll be in for a treat.

Tuesday, 9 July 2019

WATCH: The Teskey Brothers - 'So Caught Up'

Really really digging this one. Australian four-piece The Teskey Brothers are a new name to me and I have a feeling I have certainly been missing out. They may be from down under, but they've been gaining a following here since the release of their debut album back in 2017, with sold out shows in London's Omeara and Union Chapel over the last couple of years. With new record Run Home Slow on the way in August, they've shared latest single So Caught Up - check out the video for the track below! Those fans of a husky vocal will want to give this one a listen - vocalist Josh Teskey (yes - there are actual Teskey brothers in the band) has some beautifully unique gritty vocals on showcase here!


With performances at Love Supreme Festival and Cornbury last weekend under their belts, the group play the Communion Music stage at this weekend's Citadel Festival (can't wait to see them!) and a slot at Latitude on the 19th.

Follow The Teskey Brothers - Facebook | Twitter | Instagram.